{"id":877,"date":"2013-08-28T19:35:55","date_gmt":"2013-08-28T19:35:55","guid":{"rendered":"http:\/\/miroslawska.com\/?p=877"},"modified":"2013-08-28T19:41:49","modified_gmt":"2013-08-28T19:41:49","slug":"festiwal-muzyki-dawnej-im-julitty-slendzinskiej","status":"publish","type":"post","link":"https:\/\/miroslawska.com\/index.php\/archiwa\/877","title":{"rendered":"Festiwal Muzyki Dawnej im. Julitty Sle\u0144dzi\u0144skiej"},"content":{"rendered":"<p><a class=\"prettyPhoto\" href=\"http:\/\/miroslawska.com\/wp-content\/grafika\/FMD_Bialystok.jpg\" rel=\"prettyPhoto[1]\"> <img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/miroslawska.com\/wp-content\/grafika\/FMD_Bialystok_sm.jpg\" width=\"424\" height=\"571\" \/><\/a><\/p>\n<h3><strong>V Mi\u0119dzynarodowy Festiwal Muzyki Dawnej im. Julitty Sle\u0144dzi\u0144skiej<\/strong><\/h3>\n<p><!--more--><\/p>\n<p>&nbsp;<\/p>\n<p>\u015aroda, 28 sierpnia, godz. 19.15<\/p>\n<h3>&#8222;Pax hominibus bonae voluntatis&#8221; &#8211; koncert kameralny<\/h3>\n<p>Bia\u0142ystok, Stary Ko\u015bci\u00f3\u0142 Farny, ul. Ko\u015bcielna 2<\/p>\n<p>&nbsp;<\/p>\n<p>Julita Miros\u0142awska &#8211; sopran<\/p>\n<p>Marta Wr\u00f3blewska &#8211; sopran<\/p>\n<p>Przemys\u0142aw Kummer &#8211; bas<\/p>\n<p>Zesp\u00f3\u0142 instrument\u00f3w dawnych Il Tempo<\/p>\n<p>Agata Sapiecha (kier. art. zespo\u0142u) &#8211; skrzypce barokowe<\/p>\n<p>Maria Dudzik &#8211; skrzypce barokowe<\/p>\n<p>Marcin Zalewski &#8211; viola da gamba<\/p>\n<p>Lilianna Stawarz &#8211; pozytyw<\/p>\n<p>&nbsp;<\/p>\n<p>Kaspar F\u00f6rster m\u0142odszy (1616-1673) &#8211; Sonata in B na 2 skrzypiec, viol\u0119 da gamba i basso continuo<\/p>\n<p>Giovanni Francesco Anerio (1567-1630) &#8211; &#8222;Domine ostende&#8221; a 2 canti. In festo Apostolorum Philippi &amp; Jacob (Antiphonae binis, ternis &amp; quaternis vocibus cum basso ad organum)<\/p>\n<p>Aldebrando Subissati (1606-1677) &#8211; Sonata XVI Domine ostende (Sonate per violino solo e basso continuo, MI 0034)<\/p>\n<p>Adam Jarz\u0119bski (zm. 1648\/1649) &#8211; Chromatica &#8211; Concerto a tre &#8211; due soprani, basso e basso continuo (tu: 2 skrzypiec, viola da gamba, pozytyw)<\/p>\n<p>Kaspar F\u00f6rster m\u0142odszy (1616-1673) &#8211; &#8222;Ad arma fideles&#8221; &#8211; kantata ko\u015bcielna na 2 soprany, bas, 2 skrzypiec, viol\u0119 i basso continuo<\/p>\n<p>Marcin Mielczewski &#8222;Mometschki&#8221; (zm. 1651) &#8211; Aria a 3 (na dwoje skrzypiec, viol\u0119 da gamba i basso continuo) &#8211; Prawykonanie &#8211; Il Tempo &#8211; 19.XI.2011 (utw\u00f3r odkryty i opublikowany w 2011r. przez Barbar\u0119 Przybyszewsk\u0105-Jarmi\u0144sk\u0105)<\/p>\n<p>Aldebrando Subissati (1606-1677) &#8211; Sonata XII Crusic vox (Sonate per violino solo e basso continuo)<\/p>\n<p>Kaspar F\u00f6rster m\u0142odszy (1616-1673) &#8211; Sonata ex c na 2 skrzypiec, viol\u0119 da gamba i basso continuo (ca 1660)<\/p>\n<p>Stanis\u0142aw Sylwester Szarzy\u0144ski (XVII\/XVIII w.) &#8211; &#8222;Veni Sancte Spiritus&#8221; &#8211; koncert ko\u015bcielny na sopran, 2 skrzypiec i basso continuo<\/p>\n<p>Adam Jarz\u0119bski (zm. 1648\/1649) &#8211; Cantate Domino a due &#8211; soprano, bastarda &amp; basso continuo (tu: skrzypce i viola da gamba)<\/p>\n<p>Kaspar F\u00f6rster m\u0142odszy (1616-1673) &#8211; &#8222;Dulcis Amor Iesu&#8221; &#8211; koncert ko\u015bcielny na 2 soprany, 2 skrzypiec i basso continuo<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Czwartek, 29 sierpnia, godz. 18.00<\/p>\n<h3>&#8222;W enklawie mit\u00f3w&#8221; &#8211; recital wokalny<\/h3>\n<p>Bia\u0142ystok, Galeria im. Sle\u0144dzi\u0144skich, ul. Wary\u0144skiego 24a<\/p>\n<p>&nbsp;<\/p>\n<p>Iestyn Gosheron Morris &#8211; kontratenor<\/p>\n<p>Julita Miros\u0142awska -sopran<\/p>\n<p>Miko\u0142aj Zg\u00f3\u0142ka &#8211; skrzypce barokowe<\/p>\n<p>Anna Urszula Kucharska &#8211; klawesyn<\/p>\n<p>&nbsp;<\/p>\n<p>Michel Pignolet Mont\u00e9clair (1667-1737) &#8211; &#8222;L`Enlevement d`Orithie&#8221; &#8211; kantata na g\u0142os, skrzypce i basso continuo (Cantates \u00e0 voix seule et avec simfonie, II Livre, 1713)<\/p>\n<p>Henry Purcell (1659-1695) &#8211; &#8222;Here the deities approve&#8221; z Welcome to all the pleasures Z.339, &#8222;Now the Maids and the men&#8221; z opery The Fairy Queen Z.629, &#8222;If music be the food of love&#8221; Z.379C, &#8222;No, resistance is but vain&#8221; Z.601, &#8222;My dearest, my fairest&#8221; z Pausanias, the Betrayer of his Country Z.585 (1695), &#8222;O let me weep&#8221; z opery The Fairy Queen Z.629<\/p>\n<p>Louis-Nicolas Cl\u00e9rambault (1676-1749) &#8211; Pr\u00e9lude in C<\/p>\n<p>Michel Pignolet Mont\u00e9clair (1667-1737) &#8211; &#8222;La mort de Didon&#8221; &#8211; kantata na sopran, skrzypce i basso continuo (Cantates \u00e0 voix seule et avec simfonie, I Livre, 1709)<\/p>\n<p>&nbsp;<\/p>\n<address><a href=\"http:\/\/www.galeriaslendzinskich.pl\" target=\"_blank\">www.galeriaslendzinskich.pl<\/a><\/address>\n","protected":false},"excerpt":{"rendered":"<p>V Mi\u0119dzynarodowy Festiwal Muzyki Dawnej im. Julitty Sle\u0144dzi\u0144skiej<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[14,12],"class_list":["post-877","post","type-post","status-publish","format-standard","hentry","category-aktualnosci","tag-barok","tag-koncert"],"_links":{"self":[{"href":"https:\/\/miroslawska.com\/index.php\/wp-json\/wp\/v2\/posts\/877","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/miroslawska.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/miroslawska.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/miroslawska.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/miroslawska.com\/index.php\/wp-json\/wp\/v2\/comments?post=877"}],"version-history":[{"count":8,"href":"https:\/\/miroslawska.com\/index.php\/wp-json\/wp\/v2\/posts\/877\/revisions"}],"predecessor-version":[{"id":885,"href":"https:\/\/miroslawska.com\/index.php\/wp-json\/wp\/v2\/posts\/877\/revisions\/885"}],"wp:attachment":[{"href":"https:\/\/miroslawska.com\/index.php\/wp-json\/wp\/v2\/media?parent=877"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/miroslawska.com\/index.php\/wp-json\/wp\/v2\/categories?post=877"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/miroslawska.com\/index.php\/wp-json\/wp\/v2\/tags?post=877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}